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[scoffs]

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[suspenseful chord strike]

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MAN: There's this thing inside
of me, it's like...

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the appetite.

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It's like a wolf that's...

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filling...the hunger.

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♪♪

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[police sirens wailing]

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[distant siren wailing]

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OFFICER: Okay.

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One of the things
that strikes me is

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the rapid nature of his
a shift of mood.

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So it kind of goes into
what we call

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shallow affect
or shallowness

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of the emotional expression.

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MORGAN: This is bizarre.

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What this behavior is is
sussing out or exploring.

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What do the police know?

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So that he will then know
what to expect

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and how to angle
what he's going to do next.

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Daniel's appeal to God
can be seen as

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kind of an attempt
to be seen positively.

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If people view him as
a spiritual or religious figure,

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that they might be more
forgiving of his sins.

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It's an attempt
at manipulation.

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MORGAN: This is a continuation
of the performance.

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He's really quite sharp
about what he's doing.

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I think he...

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it could be a genuine
expression of hope

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that maybe his dad
doesn't die,

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but I don't think so.

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♪♪

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♪♪

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♪♪

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♪♪

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What he's doing here
is very calculated.

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He is providing a reason

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that might
explain why his fingerprints

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will be found on the gun.

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And he makes it even sound
like it was a gesture

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of kindness.

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But no,
he's plotting an alibi.

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♪♪

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MORGAN: It's just
this absolute indifference

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to the whole situation
he's in.

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He is entirely self-absorbed,

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and there's no emotional
involvement in this tragedy

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he's supposed to
be experiencing.

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♪♪

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Mm-hmm.

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KATSAVDAKIS: The video game
is not what's significant.

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What's significant is his
parents, in his perception,

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are intentionally

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and motivated to prevent him
from reaching a goal.

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And that is what increases

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the level of anger
and subsequent aggression.

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MORGAN: The video game is
definitely a fantasy world.

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This is absorbing to him.
This is his world.

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Invasion narratives are about
the other that's coming in

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either to threaten
or take over something,

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and you get to fight back and
ward them off and overcome

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and win,
so this is about power.

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♪♪

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MORGAN: I don't buy it at all --
this is the story

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he's decided
he's going to tell.

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He's trying to sound
emotionally upset.

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Well, kind of half-covering,
covering his face for it,

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but the dynamic he's setting up
is that he is a victim

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in all of this.

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We see him attributing to
the father his own

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aggression and blaming
the father because he resents

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his father.

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I think the emotion
and the story are

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absolutely calculated --
this is his alibi.

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KATSAVDAKIS: His change in body
language is very interesting.

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He has his left hand toward
his brow to indicate that

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he's crying,
looking with his left eye

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to see what
the detective is doing.

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MORGAN: There's the element
of psychopathy,

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someone who apparently

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doesn't really have empathy.

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It looks like he is angling
and conniving and planning

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and checking out what he needs
to say and what he won't say

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so he can figure out
what will be best for him.

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So people who are psychopaths,
they can put on a mask

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and appear as normal
as possible to other people.

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He doesn't care about
the police officers,

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but he is probing.

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What's clear, no matter what
we read into his specific

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comments, is that he is not
behaving like a normal person.

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He's not having the basic
emotions of fear,

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anxiety, loss, and concern
about family.

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♪♪

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Okay.

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♪♪

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♪♪

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[dinging noise]

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Okay?

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He's trying to think of
reasons -- I've spun

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the religious reason, I've spun
the I don't know what happened

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reason I've spun my father
did this reason.

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I think we're on the sixth
different narrative at

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this point,
but he did not snap.

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The literature and the science
has been very,

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very clear
that people don't snap.

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If you scratch
below the surface

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in many of these instances,
there are many clues.

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Long-term anger,
possible depression,

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inconsistency within parents,

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high control, low empathy.

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There's always signs.

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♪♪

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♪♪

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MAN: Reverend Mark Petric
takes the stand in

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the trial of his 17-year-old
son, Daniel.

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Prosecutors say
in October of last year,

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the teenager shot his father
and shot and killed his mother,

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Sue Petric,

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in the living room of
their Wellington home.

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MORGAN: The line that
the father tells us,

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I think there is an element of
sadistic pleasure in doing it.

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It does come within
the context of an adolescent

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who I suspect for a while
has felt enraged

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living in the home under
the rules from the parents.

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♪♪

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MAN: Mark Petric of Wellington
believes his son's addiction

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to a violent video game

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is what caused him
to shoot both his parents

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after they took the game away.

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He got involved in
the violent graphic video games

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and became addicted to them

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and was playing as much
as 18 hours a day.

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♪♪

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♪♪

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MORGAN: If you're growing up in
a household where you realize

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the rules are very strict,

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it can produce a sort of split
sense in kids growing up.

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Some children may discover
they have to be duplicitous.

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You have to be able to say yes
to get along with

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everybody because those are
the rules while then secretly

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doing something else.

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Where this can then move into
the psychopathy range is that

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they can develop a genuine

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lack of empathy for the people
they have to live around

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but can no longer relate to.

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Being involved in the gaming

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meant something
very important to him

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emotionally in the fantasy
he could engage in.

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KATSAVDAKIS: The video game
in and of itself is

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not the cause or the factor
to a homicide.

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However, it feeds the fantasy
that this violence is

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actually a feasible
and reasonable solution

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to my grievance.

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♪♪

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♪♪

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♪♪

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WOMAN: Despite the shooting,
Daniel Petric's family,

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including his father,
says they forgive him.

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♪♪